The very first Buchla synthesiser performance by revolutionary composer Suzanne Ciani finally makes its fifty year journey from its switch-on New York art gallery to its long deserved and discerning global phonographic audience.
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The lost synth manifesto that could have changed the course of electronic music history by the first lady of modular synth history, Suzanne Ciani.
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Finally resurrected via the Finders Keepers/Early Future unison, this album perhaps remains the best kept secret for aficionados who actively choose to blur the lines between spiritual jazz and free jazz with no discrimination against art rock and the genre that might soon be christened punk.
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The lost Belgian blueprint of Brussels based jazz fusion and how free form Franco-Flemish punk put Zeuhl school in the Classroom via to the conception of COS
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Part fantastical historic sonic biopic, part anthropologic journey into the deep roots of Belgium’s monstrous cosmic rock sound, this wholly individualistic concept album combines the lead members of the mighty COS (Daniel Schell and Pascale Son) with studio genius Alain Pierre (Ô Sidarta/Des Morts)
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The bloodline of Eastern European kosmische and groundbreaking, grinding cinematic psych rock finally emerges from fifty years of forbidden forestland to fill your thirsty grails.
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This limited edition record release proudly boasts Korzyński’s original rejected uptempo awkward psychedelic pop music prior to the doom laden growls that make the official films soundtrack a true Goliath of Eastern European soundtrack composition.
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Available for the first time in over ten years, twenty-two rare and unreleased vintage tracks from the secret vaults of one of the most enigmatic composers in 60s/70s/80s European cinema.
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Quite simply one of the heaviest psych rock film soundtracks of all time Andrzej Korzyński's short and unreleased score matched the blueprint that adorned the drawing boards of conceptual French jazz orch rock composers like Jean-Claude Vannier, Francois De Roubaix and Alain Gourageur.
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