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CACHE05CD/LP
Bruno Spoerri
TEDDY BAR/LILITH
Tracklist
Teddy Bär Lilith |
Comprising two of the most complete bodies of work from innovative
Swiss electronic jazz pioneer Bruno Spoerri this combined
archival release delves into a deep vault of commercial and experimental
film music revealing the vibrant versatility of the composer
in collaboration with two important Swiss directors.
Mastered from original studio tapes this compendium comprises an expanded
range of instruments and studio techniques placing the artist
on either side of his comfort zone parameters. Utilising vocals in
both a treated/experimental form as well as in a formal song
based capacity this release instantly reveals two new sides to
Spoerri’s personality. The two soundtracks also reveal the natural
progression of Bruno's interaction between live bands and jazz
musicians working alongside industrial field recordings and concrète
tape experiments (previously exemplified in his work for
forklift truck manufacturer Lansing Bagnall). Spoerri's broad
palette of electronic instruments is widely utilised within these
recordings revealing Bruno's home studio as one of the early
exponents of the Lyricon wind synth and various modular synthesisers
developed and re-customised as part of a wider creative
relationship with the creators of Buchla and Arp instruments.
Both programmes span a decade of commercial work for Swiss
and German advertising companies furnishing a unique Swiss
culture of tangible vinyl giveaway records which punctuates the
artists varied discography alongside a list that includes collaborations
with musicians from German Krautrock band Can, legendary
progressive jazz/electronic musicians like Klaus Weiss and Joel
Vandroogenbroeck, as well as physical visual artists like Betha
Sarasin. Presenting the entire previously unreleased score to
Kurt Aeschbacher's experimental film Lilith and a remastered version
of the rare vinyl soundtrack to Rolf Lyssy's comedy Teddy Bär
(including an newly excavated non-LP track) this release goes
beyond the typical realms of commercial film composition including
full-length cues and fully realised electronic tracks which stand
up both within and outside of the context of the original, seldom
seen celluloid achievements. Enjoy at best with an open mind
with eyes open or closed for a wider perspective on this one man
music machine.